from the sublime (the 7th annual IBICUS workshop hosted at our school, above) to the ridiculous (the poem below), it's been a rather full week. Great to have other Symposia postings to deepen our Lenten season.
Sunday, February 28, 2016
Updates, as 'twere
from the sublime (the 7th annual IBICUS workshop hosted at our school, above) to the ridiculous (the poem below), it's been a rather full week. Great to have other Symposia postings to deepen our Lenten season.
Friday, February 26, 2016
Leap Year
Week 9: Leap Year
There is no easy transition from February to March: a few leftover poems, a sense of the mundane, nothing to hint at the moments ahead, even as a winter’s tale ends and the winds shift.
02/26:
To You
I wrote a poem
and left your name out
and there it hangs
a gilded frame
without a face
a pretty background
without a story.
I spent some time
thinking of rhythm
and balance
and measured out
its perfect place
upon my wall
and there it hangs.
You are the frame
you are the measure
and every time
I read my poem
I see your face
and let it hold me
a little longer
But you remain
an unspoken name
lost in a story
made of dreams
your lovely face
a figment of
a wishful song.
02/27:
She Folds My Clothes
1
She folds my clothes,
the tailored rags
once piled in the dirt and
smell of days,
which is to say
she picks them up
and separates them, cleans
them, load by load,
these that I call
my own, not of
my soul, but nearly so:
my second skin,
my shield from sin,
my covering
and saving from
all elements and eyes,
weekly redeemed
by this routine
of flattening and
giving shape to what
was without form
and would remain,
if not for this,
a wrinkled pile of rags,
if not for one
who takes the task
of caring for me, more
than I deserve
who tells me so,
but knows that talk
is cheap and love’s a chore.
She folds my clothes.
2
She folds my clothes.
I give her all
my threadbare socks and
dirty underwear,
which is to say
I leave them on
the floor of lower standards,
and forget
they are my own,
my stains, my sweat
and toil, my respons-
ibility,
and I should be
ashamed of der-
ilictions, but I play
the fool instead,
weekly relieved
of turning life
around, restoring order
to a world
that needs reform,
and even in
the time it takes to write
this silly poem,
she is the one
who does it all,
and I’m the one who
doesn’t tell her so;
my love is cheap,
and finding words
is work. And while I write,
she folds my clothes.
02/28:
Certainty
The river is moving.
The blackbird must be flying.
— Wallace Stevens
I
Winged creatures crash the corridors of spring
And call in kin from everywhere to sing
A thousand songs, all with the same refrain:
“This is our season, and we shall remain.”
At first their sound is harsh and yet in time
They bring an easy rhythm and a rhyme
To every willing ear, a melody
That fills the vernal air with “Certainty!”
And all the birds that follow share the sound
And make their own to mark their breeding ground,
Assuring anyone who comes around:
“This is our world, make note of it, and let
The record clearly show, let it be said
That every spring begins with black and red.”
II
“— Let there be no doubt! This is our place
and time. We have no vagaries to chase,
no hills to climb, no valleys to endure,
no days to dream, no nights to wonder. Here
we stand, as sure as night begins the day
and sunlight melts the snow, and here we stay;
as sure as winter ends with spring, we take
the dormant fields and sing the world awake.
Tomorrow is for such wanderers and fools
who set out from their churches and their schools
in search of something more, but in their souls
they struggle over what they want to see
and what the future holds for them. But we
remain, reminding them of Certainty!”
02/29:
In A Plane Over The Alps, March 2015
...And I was only going here to there,
thinking my fate was somewhere far beyond
the scenery of 40,000 feet
below me. 30,000... 20... 10....
So steadily we dropped without a care
until we heard the pilot pounding on
the cockpit door, and from our side,
replete with irony: "God damn it, let me in!"
which set us all to screaming through the air
into the mountains, somewhere in between
the day dreams of our German destiny
and memories of standing on the ground
in Spain, purchasing tickets, unaware
of where an hour later we would be.
03/01:
March
March starts
like more of February;
they say it roars
but I just hear it groan
with the heaviness of
a tired coat of wool
felt warmer in December
when the wind
was not as sharp, the hope
not as brittle.
March middles like the winter’s edge;
they predicted
a revival, but the dawn
still casts its shadows
and the breeze still
blows the spirit out of me
and I can’t see
the daylight saved, the equinox
or whatever it is that happens
after Lent.
March is spent
on so many passing
celebrations,
like the day the city dyes
the river green
or the night they sit around
waiting for Elijah.
We speak of eggs and rabbits,
connecting symbols of a pagan life
to a feast of sacrifice,
but I will feel the March wind blowing,
stirring up the doubt
Until the wind dies down
and the spirit goes out.
03/02:
Fling
This playing around with words
is a reckless fling,
A lustful binge
and a compulsive urge;
This is my midlife crisis on the verge
Of discovery,
the soul’s rebalancing;
This is my return to youth, remembering
Whatever whirling memories regurge
Out of the pool,
however they emerge;
This is my search for truth, if anything
Is true, if a ring of truth can ever rise
Out of the fog
of this pretentious surge;
These are my alibis when truths diverge
And leave me looking
foolish in your eyes;
This is my fleeting chance to apologize
For being otherwise
with a reckless fling.
03/03:
Moleskin 2.1: Birth
I was born in Southern Minnesota during the Kennedy years, son of a schoolteacher and a credit reporter, an only child for as long as I couldn’t remember. They say there is little, if anything, our memories can hold from the first four years, not counting what we acquire from photographs and anecdotes, and yet it is during these first years that we start to recognize our parents for who they are, we pattern ourselves indelibly on their examples and with their help we learn things we never forget: to walk, to use the bathroom, to hold a conversation. I’m pretty sure I became a Democrat in these forgotten years, even if I do not have memories of Kennedy. To this day I will not hesitate to tell you where God’s country can be found, as I have been told often enough by others. And though I do not remember a day without brothers, I know there was a time when I got all of the attention.
Friday, February 19, 2016
Looking For My Rhyme
Week 8: A Crown Of Sonnets
This is my crown of sonnets, seven poems connected by their last and first lines, with Mathematics intertwined. To keep it all together there is no moleskin memoir this week.
02/19:
Poetry Precedes The Poem
There was a song before this song
was sung. There was a rhyme
Before these words were ever heard.
There was a place and time
Before we found our here and now,
And there was poetry
Before we wrote our poem down.
Poetry precedes the poem, as
Creation beats within a mother’s heart
Before her child is born, as from the start
What is or is about to happen has
Forever been. Behold the poem of
A rising sun or of the world that turns
Towards its fire. Behold the fire that burns
In lovers long before they fall in love.
Behold the love. Behold the long before
And look for more. Look for the energy
Of dreamers who once flickered in the dark
Like pilots to the dawn. Keep looking for
The spirit pre-igniting every spark
Of love, of mine for you and yours for me.
02/20:
Of Love
Once one is one and only one:
the perfect unity...
Of love, of mine for you and yours for me,
Of late I haven’t had too much to say
But I’ve been thinking lately, night and day,
Of how we fell in love; of the unity
Of falling; of the feeling constantly
Of love’s simplicity, once one is one;
Of our conviction, once we had begun;
And of our hope for continuity.
We found the lesson of a braided cord
And tied the hasta milip to our vows;
We bought the most expensive diamondry
That we and all our credit could afford,
And with a single mind did we espouse
This long traditioned bond, this poetry.
02/21:
Enchanted By The Music
There was a song before this song was sung...
This long traditioned bond, this poetry
Precedes us like the crown precedes the king
Who nods to everyone and everything
Before him. Higher than all royalty,
Positioned at the birth of history,
Before humanity began to sing
Of country and of social structuring,
God’s angels sang to us the poetry
Of lovers. Thus creation was for us
Created, as we’ve been, will ever be
Enchanted by the music of our making,
And thus we ever shall, indeed we must,
Sustain our beating hearts beyond the breaking
Rules of individuality.
02/22:
Rules Of Individuality
One unexpressed, no more, no less
than one, will always be itself...
Rules of individuality:
1. One marches to the rhythm of one’s heart.
2. One strikes out on one’s own without regard
for anything another has to say.
3. One finds one’s way. In time one will get by
without the other, and in time the hurt
will turn to numbness even as the heart
grows cold and indifferent. Inevitably
4. One beats a drum that’s distant and devoid
of poetry, and then eventually
the beating stops. Another heart is broken.
These are the rules that keep the self-employed
Indentured to themselves, sounding the token
Cadence of one who dreams of breaking free.
02/23:
Cadence Of One
One added to one more is two, a plain duality...
The cadence of one who dreams of breaking free,
Stringing her notes together to complete
The measures of her heart’s determined beat
Of human bonding, singing that she may be
Heard by another heart’s humanity,
Echoes across the lonely marching field.
The cadence of one with passions unrevealed,
Finding the mystic chords of memory
Deep in his soldier’s soul so long concealed
And camouflaged, singing that he may be
More than one sounding off and keeping time,
Echoes across the lonely marching field,
Each lonely heartbeat, looking for its rhyme
Across resounding fields of poetry....
02/24:
Echoes
Y yo transmitiré... los ecos estrellados de la ola...
“Across resounding fields of poetry
I call your name. Across resounding fields
I will declare the love I have for you.
I will pronounce this love to all the world
And I will hear your name return to me.”
“Across resounding fields of poetry
I will pronounce this love to all the world.
I will declare the love I have for you.
I call your name across resounding fields
And I will hear your name return to me.”
“My love, you are the reason I can sing
At all; you are the song within my heart;
You are the beat by which I am alive
and every rhythm in my living soul.”
"My love, you are the reason I can sing;
You are the beat by which I am alive
At all; you are the song within my heart
And every rhythm in my living soul...”
“My love, you are the reason I can sing...”
“Across resounding fields of poetry...”
“...At all; you are the song within my heart,...”
“...The love I will pronounce to all the world;..”
“...You are the beat by which I am alive,...”
“...I call your name across resounding fields,...”
“...That I would hear your name return to me...”
“...With every rhythm in my living soul.”
02/25:
Every Rhythm
One from itself is none, the self defying gravity...
Every rhythm in my living soul,
Ever since I first became aware
Of rhythm resonating in the air
Around me, beats the passions that I feel
For you, and I am moved beyond control.
Everything I sing the wind will carry,
Every rhythm resonates to where
You are, and I begin to feel your soul
In harmony with mine, as from the start,
As all that is about to happen has
Forever been: two lovers meet in time
And find they share a purpose, find their hearts
In synchronicity and find their rhyme,
As poetry precedes the poem, as....
There was a song before this song
Was sung. There was a rhyme
Before these words were ever heard.
There was a place and time
Before we found our here and now,
And there was poetry
Before we wrote our poem down.
I Q 139 - The Ant and I
In second grade my class took an IQ test. That was my first full year of school. I remember sitting on the school superintendent ' s lap - must have been no legal problem then - and reading to him when I was five. Subsequent declaration was that I could skip first grade. Later I aced the Stanford -Binet multiple -choice, true -false test. One question I missed, and I was so embarrassed about, was "A boulevard is a wide street." I answered "no". In my hometown boulevards were those strips of grass between the sidewalk and the curb. Thus the typical shortcoming of any "intelligence quotient" test. But I got a 139.
Fast forward seventy years. The Arizona afternoon was sunny and I was biking home on a thirty-mile route. There were choices to make: should I take the wide swing up Desert Bell, or the steeper, more direct route up Esperanza, or the bumpier lane along Continental? I knew what each hill entailed, so I didn't have to scope it out.
At the corner of Esperanza and Portillo was a terra cotta bench, and I gratefully flopped down in the half-shade, taking a swig of water and looking down at the large gravel stones carpeting the ground.
Wait! One of the stones is moving. No, it's a flat round yellow seed that is going forward. Approximately one centimeter long. No wind. But why is it moving steadily forward?
A tiny ant was propelling it. She had the seed - three times longer than her and much wider - in her jaws, I guess, and was relentlessly transporting it where she wanted to end up.
Then she would stop, drop the seed, and go ahead without it. Backtracking, she would check another stone, around it or over. That ant would then go back and pick up her treasure, proceeding forward until there was another route decision to make. Sometimes her detective work clearly involved at least three possible ways, and after checking each one out she always ended up on the path with least obstacles. While I watched she progressed over one meter with her valuable seed.
No way was she relying on instinct. That ant had to make choices, and good ones based on logic, eliminating less desirable paths.
How would that tiny, almost microscopic creature do on an intelligence test? Pretty well. It's just us limited mortals who need to readjust our assessment of smarts in this great world God made.
A boulevard is a wide street. All depends on the path - and the goal you have to reach.
Marilyn Jaeger, February 19, 2016
Wednesday, February 17, 2016
You are in your room
![]() |
| September 25, 2015, UW Hospital |
![]() |
February 15, 2016, Florence, AZ
Positive proof of prayers and good medical attention!
|
Friday, February 12, 2016
Working Out
Week 7: Mathematics
The month of February continues, everything centered around the day of hearts. In this capsule, I am still head over heals. In retrospect, love would require work, though maybe, and too often, more than I gave it.
02/12: At The Bus Stop
02/13: On A Park Bench
02/14: Motion Pictures
02/15: Long Ago
02/16: Braided Cord
02/17: Mathematics
02/18: Moleskin 1.7: Groundwork
02/12:
At The Bus Stop
At the bus stop, as the city flies by,
A local pair, a man and a woman,
In love without words, married I suppose,
Sit quietly, simply biding their time,
She with modest make-up and a wool-blend coat,
He with a two-tone polyester suit,
Each with the same haircut, close to the scalp,
Neither one concerned with the day ahead,
And every morning, never fail, they’re here,
As am I, but I’m just a passerby,
Rushing to my world an hour away
While they hold the moment: this is their pond;
I don’t really know them, barely see them,
But something tells me I would miss them
If ever they were gone.
02/13:
On A Park Bench
On a park bench on a city streetside,
Backwards to traffic, facing a storefront
On an overcast afternoon, between
The sun and rain, breezeless, pleasantly warm,
In this time of waiting, they take a chance
To stop and sit and simply talk awhile.
Pedestrians buzz by in ones and twos,
All to themselves, not really noticing
The soft spectacle of husband and wife
Or wife and husband, wed to each other,
Talking of children, thoughts of the future,
Where they are going and what’s for dinner.
Home is a dozen miles away. Life is
Routine. Love is here and time, for now, is kind.
02/14:
Motion Pictures
Some movies leave you feeling sad
worked up or happy, but they leave you there
retwisting scenes, revisiting the air
and sorting out the ugly good and bad.
They try to linger in your soul.
The best films take a hold and don’t let go:
they dare to move beyond the picture show,
they grip you past the credit roll
and draw you on the empty screen
the winner relishing the victory,
the tragic hero bearing the defeat,
the voyager letting where you’ve been
and what you’ve seen ultimately
define you far beyond your theater seat.
You will remember this.
Some shows
are only popcorn, local strangers all
faced in the same direction, a big wall
reflecting light-and-shadowed rows
of patronage, a flattening screen
that turns all living colors into grey.
The worst ones don’t have anything to say
but good flicks scream in every scene:
They sing and laugh and make you think
and turn you unexpectedly
into a kindred soul. As light projects
on screen, as sound tracks into sync,
as motion makes its own reality,
you find your spirit in the cineplex.
02/15:
Long Ago
Long ago
when it felt like
the day was young
every morning
the sun would rise
on a world of
possibilities
and I would wake up
smiling and you
would be there beside me
with an arm to keep
me there a little
longer.
02/16:
Braided Cord
We learned the lesson of the braided cord,
two strands strong, three unbreakable
according to scripture, the old testimonial
inspiration woven into our lives
with romantic embellishment
spun from a preacher’s words.
We kept an invitation from our wedding day
in a frame, hung it on our bedroom wall
as a daily reminder of the ongoing occasion,
which we enhanced with an inimitable piece
of that stranded cord not easily broken
and lovingly spun: we invited, we wed,
but it was you who framed, reminded, enhanced.
We needed this cue
in our feeble youth, and in the sharpness of age
we need it still, something more to celebrate
than fading photographs and anniversaries
and this is true: my need is yours,
your need is ours, what time will never fade.
The snapshots are in boxes, the memories
are gathering dust, but the braided truth remains.
02/17:
Mathematics
based on passages from Walled Gardens
1*1=1
Once one is one and only one:
the perfect unity;
one less than this is emptiness.
One finds one cannot be
without the other; none’s the lover
who can love alone,
but when two lovers come together
and become their own
identity they start to see
the journey they’ve begun,
their heart and mind as one combined:
once one is one is one.
n/n=1
One unexpressed, no more, no less
than one, will always be
itself, the integer of
individuality
existing to exist. One who
insists without a sound
on keeping his position is
a shadow on the ground,
no more, no less than emptiness,
a countenance unknown,
a spirit unsuspected:
one unmoving, one alone.
1+1=2
One added to one more is two,
a plain duality
and nothing less than two, unless
each looks for unity
receptively. Two cannot see
as one as long as one
turns from the other; none’s the lover
who can love alone,
and lonely thus, there is no us
to see for “me” and “you”;
But if there’s “us,” there’s one. We must
adjust our point of view
Or be as lonely marchers, one
plus one forever two....
1-1=0
One from itself
is none, the self
defying gravity
to find the place
that has no place,
a new reality
of nothingness.
It comes to this:
leave everything behind,
the ground you stand,
the world you wander,
every gravity
that spins you ‘round
and weighs you down;
believe that there can be
somewhere a love
that is enough,
a love that will allow
one to be none,
two to be one:
the perfect lovers' vow.
|1-(1+1)*1|=|(1-1)+(1*1)|=|1-1+1*1|=1!
02/18:
Moleskin 1.7: Groundwork
So now I have the groundwork, the riverbank work, for the first several chapters of my story: I was born, I am alive. I have an audience who shares my moment and a studio that gives me peace. And I have an opening prayer to accept what I've been given. After this may come those chapters on love and faith and health and pride and humility ---maybe, if I am drawn to write that far and if there is still ink in my pen. And if, of course, I am whimsically stirred to remember those big daunting subjects when the time comes and the blank pages are before me. Or maybe, on that whim, I will simply set the pen down then and there, and let the opening chapters speak for themselves, being the heart and soul of what I remember. Let it be, one way or the other. But let me begin.

