The paintbrush is ubiquitous:
in the canvas of Cézanne,
leaving little spaces for passers to complete;
in the arias of Bach,
lifting each contrapunct to heavenly heights;
in the lines of Szymborska,
lovingly commiserating the fate of Lot's Wife;
in the dances of our grandkids,
lithely aware,
like lemurs, of complicated things.
Our grandpa painted prairie fire:
for
the campus of conviviality,
mowing meadow
paths to circumnavigate;
for
the melodies of yore,
moving in
and out and into Sunday mass;
for
the poetry of evermore,
mostly
rooted in the great recall of Tevya;
for
the guy wires of grace,
ministerially
in place and Holy Ghost maintained.
Indians adumbrate this flower: colonists accede its Nehemiahic
power.

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