There is no Nobel Prize for music. Nor for theology, parenting, sports broadcasting and other things that matter. Alfred Nobel made dynamite, pragmatically or otherwise. It's good to think he wanted more of a legacy, beyond the 'breaking down'.
So here is a more serious poem on the Nobel Prize for literature, crafted around my favorite poet, 1996 laureate Wislawa Szymborska, whom I quote here and there:
Composite
Because somebody wins
our shutters open and close,
almost instinctively (a question
for nature/nurture) but surely
beyond deliberately, allowing
time to contemplate and cry.
I learned from literature
the number π—what can’t be
comprehended by composite
means or prime, squirreling
through the world and “all the
bottomless bloated heavens”
of icebergs twice imagined
(being there maybe once); I
couldn’t be Lot’s wife, whose
voice depends on witness long
since dead, yet she says “I could
have” lots of ways to be self.
Because somebody wins
we rearrange our past and
wonder why it is or isn’t test-
wise. What’s Dylan off the mic?
Toni Morrison makes music;
where’s Cohen, for God’s sake?
We crave to view things
certain ways and grant each
grain of salt a sense of worth:
for some it’s Matthew 5:13,
a pinch, a march of Gandhi’s
vision, a high colesterol count.
Szymborska wins because
“The world is never ready for
the birth of a child”, most gently
said, and when that child sews
a button on her sleeve, the
world nods off and angels leap.
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