An old guy on the cross-town
train sat next to me,
and after axle clacks of
nothingness, pulled some
papers, folded in fours, from
a pouch on the harness
of his German Shepherd, lying
guard like most of us.
Then drumming his pen and
making small marks,
mouthing reminders of clauses
someone had typed,
he added two lines by hand
and asked me to witness
that which he signed and
dated by doing the same.
‘What is it?’ I knew without
asking, yet leaned in to
hear what he’d call his last
will. ‘My take on today
as it bears on tomorrow,’ and
with that, he trundled
away, granting some privacy
for how I’d comply.
‘Listen,’ I whispered without
more to say, silently
seeking clues on the sheets—his
loose-fitting suit,
his choice of seat if he
planned to blow up the train—
‘I hesitate messing with
fate,’ and signed anyway.
‘Thank you,’ he smiled, and
blew on my autograph
before filing it safe with
the dog. ‘Why put it there?’
‘His tag has my name.’ ‘Let’s
say he dies first, do you
have the same?’ ‘I’ve never
thought of it that way.’
We each raised our eyes to
the blur of the station
that could finish this game,
but mine was the next,
so at least I could gather
more of his means to take
mortal stock and revise it
this way. ‘Are you afraid?’
‘Not anymore’, patting the
back of his Fido or Rex.
‘Are you?’ ‘Not on your life.
I’ve clearly expressed
I don’t want—’ ‘—a mess?’ ‘Or
something like that. I
rather want other things
read.’ He giggled and said,
‘Life is a tale told by an
idiot,’ ‘yes, yes, full of sound
and fury,’ ‘signifying a
reason we cite it.’ ‘Meaning?’
‘You hardly know what’s
composed in celestial news.’
‘Should I?’ ‘Maybe you were
in it.’ ‘I’m there today.’
‘Your witness is, at least.
Tomorrow, who’s to say?’
‘That idiot, all due respect:
the teller of a hundred
thousand days which we
inherit, live and inseminate,
passing in the aisles of
countless trains.’ I stopped
for fear of arrogance, as
much to hear the old guy
have the final say: ‘See you
on the by-and-by. What
you’ve done today will
resonate, regardless how I die,
’cuz you read in me a chance to not appear
crazy.’
I like your narrative style here - a fresh turn for you. Your return to allusion is your more usual modus, but this poem finds its most comfortable pace as an original narrative.
ReplyDelete