So I think I figured it out: Led Zeppelin by anyone’s
measure will always be the 3rd best band behind (take your pick) the
Beatles, Pink Floyd, the Grateful Dead, the Who, Aerosmith, Dylan & co,
anything having to do with Jeff Beck, The Kinks, Elvis Costello, etc, etc,
And in a delightful family debate whether “All of My Love”
belongs in Led Zeppelin’s top 10 or top 20, I’ve come to realize that this band
(like the Beatles, like Pink Floyd) is beyond such lists. They combine Chicago
blues with various covers that far excel the originals with ample
originality—no one stoked the top three on my list but themselves. The echo
justifiably is that Pink Floyd and the Beatles recorded NO SUCH covers—they
played themselves and no others. Indeed, this is a musicological quandary, on
par with the debate that Sophocles without ‘Ur-texts’ exceeds Shakespeare with
his ample supply of Ur-Hamlets and such. Of the more-than-ten Led Zeppelin
songs I list below, plenty of them are ‘ur’—the Rolling Stones would nod their
heads empathetically. But they are great in a Shakespearean way. But certainly
ten of these would never have existed except that Page/Plant/Bonham/Jones made
them happen indigenously.
Ten Years Gone
Kashmir
The Immigrant Song
When the Levee Breaks
The Rover
Mountain Misty Hop
Over the Hill and Far Away
Going to California
Whole Lotta Love
Four Sticks
The Rain Song
Babe I’m Gonna Leave You
Dazed and Confused
All of My Love
No Quarter
Carouselambra
Stairway to Heaven
Black Dog
Battle for Evermore
Dancing Days
That’s the Way
Yes, that’s 21 songs on a STLTA&A list, but would anyone
really deny #21? It makes me cry more than probably any of the far better songs
above it. There is no genius in Page and Plant—there is genius in the God that
made them. And since this band is so prone to covers, I think they’d not
disagree. I’d listen to many lists agin and agin, but this focused journey
crumbled me in ways no other source did—I’ll keep them 3rd for
sanity’s sake, but gosh they are far more than listenable for such evaluations,
and, to anchor the point, “Ten Years Gone” was never more resonant to me than
after Josh’s encouragement to tune it in before the turn of this millennium. It
remains the absolute best motif/riff/subtle verse/bridge/jazz and jam solo/back
to underappreciated riff. Concerts wouldn’t relay this song nearly as
successfully as songs down the list, but ‘agin and agin’ implies the advent of
record players and luxurious return. Led Zeppelin invites this as well as any
musician, and the exercise alone to validate ‘agin and agin’ confirms our need
to listen to compositions in their ‘on-offs’, and then again in their lure to
be heard, well, again and again…. Led Zeppelin has done that more than just
this extraordinary summer.
Eager to hear from others…
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