Monday, October 21, 2013

Twilight and Dusk


rough enough off the press, this is the story (after 'Babi Leto, Babi Yar') that has taken the most time and emotional energy to write. It's also the most autobiographical and prone to the genre of travelogue literature--all good, but not in the total spirit of the volume. What is in the spirit of the volume is the hope to weave allusions with experience, prose with poetic license, authorial modesty with readership review. It's the thirteenth story in Stara Evropa, the fourteenth projected in Bulgaria and fifteenth in Slovakia, where we're headed in the next half-week. It has, in a sense, sapped my soul, as nothing should ever approximate the true sufferings of those who tred to Treblinka gas chambers or any other atrocities we rarely articulate, let alone lend eyes and prayers to. Rough enough that this is, I don't have any idea how I might revise, but that your reading can advise me so.

“There is nothing neither good nor bad,” Hamlet says in some depth of disposition, “but thinking makes it so.” Nietzsche turns that seminal premise into his treatise, Beyond Good and Evil. Beyond (not from) such moral vagaries, modern history runs amok. Harold Bloom will not assign a ruling body for the literature that follows his designations of the theocratic, aristocratic, democratic ages. The ‘chaotic age’ may be his cop-out, a teen-age angst that a priori abandons a wisdom that can germinate from patient experience, a hereafter to temper the here and now.
            In my own teen-age years I began to run for some notional sense of self.  “So, what do you do?” asked the gorgeous girl in ninth grade, and I had nothing to say. Joining the cross-country team might have added mockery to the void, but I trained hard and eventually captained a competitive team, if that was what we were. I ran a hundred miles a week to oxidize my thinking and develop little symphonies—solipsistic stuff. I remember being utterly lost on an early morning run some twenty-five miles outside of Scobey, Montana. The gray sky melded indiscriminately with the amorphous landscape, and not having seen a herd of cows or a telephone wire for well over an hour, I hoped to find at least a fence and trace it to some source.  Two hours later, that prospect availed itself and serendipitously led me to back to civilization, which basically can be defined as a place where one can stay alive.
            There was scant sense of that in Poland, 1943. To help me discern what various holocaust sites held for my students who toured Terezin in tenth grade and Auschwitz in twelfth, I drove north of Prague to revisit and visit anew and reflect and pray and ask questions and walk silently through dozens of places, on and off maps. I had the voices of Wiesel and Wiesenthal and Lustig and Levi with me; just as indelibly, I resorted to Isaac Bashevis Singer’s “Something is There”: the still, soft whisper that the cave-bound Elijah strains to hear.

            I journeyed through the Baltics aiming for places like Salaspils—the ‘island palace’ outside Riga—and the Paneriai forest west of Vilnius. Peaceful as they seemed, by the few people strolling and listening to breeze and birdsong in the trees, massacred bodies in countless proportions could not be extricated from these grounds. I sought out conventional places of peace, to be sure: the hill of crosses that John Paul II blessed against their bulldozing, Pühajärv, the Estonian lake of love that the Dalai Lama wanted to return to, perhaps in the magic of a midsummer’s night swim. Broken lives could have happened at these sites, too; restive souls must be everywhere on this planet, but there is a difference when they’re rounded up and given no choice to live on or die.
             Having parsed out the modest Kroons, Lats, and Litas that I had budgeted for this leg of the trip, I bolted toward Bialystok and an eastern swing through Poland. I had driven carefully through these countries and was doing so now, knowing that patrolmen would pull over foreign cars for no particular reason; in this case, the evening drawing on and seeing nothing for twenty minutes besides the back of a transport truck, I entered a speed trap that deemed my 70 kilometers per hour too dangerous to let pass. The truck I trailed continued on blithely at that pace, and when I mentioned as much to my arresting officers, they had me step out of the car for further aspects to investigate. I had spoken English, but theirs was lousy; Russian, I realized, was a mixed bag in these countries, but for the next forty minutes from the backseat of their Lada, I reasoned and even joked with them in Russian. They didn’t want Zlotys to pay my fine—about $25 for speeding—and I didn’t want to get Litas back in change for the $100 bill I had. To their credit, they didn’t try to extort any more than their pre-established amount, and also to their credit, they proposed a means by which I could draw the exact amount of Litas from the Marijamplole bank, some ten minutes away (they’d be happy to escort me there). Of course, being dusk and before the advent of ATMs, there was little chance I could draw the strict amount or retain $75 as non-Litas in return. In the end—a full hour’s work—the officers politely took my greenback and made sure, by pointing at exchange rates I’d already known, that the Litas they doled out in change was justified value. “But Poland won’t exchange them so favorably,” I reminded them, to which they encouraged me to stay an extra night in their fine country. “I’ve been camping at one-tenth this cost,” I had them know, but still extended a hand to their patriotism.
            And though I didn’t want to play this card, I headed toward the Dzukijos woodlands and a quirky statue museum commemorating the lugubrious death of the Soviet Union. It wouldn’t be open at this late hour, but that wasn’t the question on my mind. Finding food was, and south of the Merkys river a shashlik stand was just about to close up. “We have no more borscht,” the proprietor said when I requested that from the menu, “perhaps you’ll try krchik, just as good.” And it was. I would have been content with that and one mutton skewer, but Avo, as he introduced himself, insisted I dine well—“stay to meet the kids, they’ll be back from training soon.” It’s what a little language and raison d’etre would bring, with tacit questions whether this bottle of red wine (“on the house, traveling friend”) would lead to vodka and scrapbook stories and diminishing prospects I’d find a hotel that night. Avo assured me that wouldn’t be a problem, “you’re in God’s hands here.”
            His wife brought out spinach- and cheese-filled byorek, “another taste of the homeland,” he explained. Most of his extended family had been killed in the Armenian earthquake of ‘89; those who survived had to deal with rubbled realities. The conflict in Nagorno-Karabakh only made the ensuing years worse: Avo and his younger brother were conscripted to service there, even as so much had to be reconstructed at home. Only Avo returned alive. After a joyless wedding, he and his bride made their way to Vilnius and, eventually, this haven in the woods. I explained I had only experienced the woods of Paneriai in this country, and he nodded his head at the reference. “Here, we hope, is a happier place. I run a track-and-field camp, believe it or not, through these trees.”
            “Why wouldn’t I believe that? I noticed the picture on the wall with Sergey Bubka.”
            Avo smiled and raised his glass in a sort of toast: “Bratislava, 1988, his fourth vault over six meters. I was an alternate steeplechaser, and Sergey came over to make friends. I warmed up, as per usual, but didn’t compete. He told me to stick with the sport.”
            “And did you?”
            He refilled both our glasses. “I did until the earthquake. Then all my leaps and runs away were far from an oval, rubber track. That’s probably why I set up this camp, coaching kids to run in the middle of nowhere.”
            It was rather dark when the runners came in from their end-of-day 12K. Avo was animated, twice the visage he had in the Bubka picture. He had them stretch and debrief on their day, then introduced them to me, a fellow athlete (though I had said nothing beyond the knowledge of Bubka). One girl, Natalia, was presented as the top under-14 prospect in the nation in hurdles—“you can hurdle out here?” I asked, and without looking at her coach for advice, Natalia responded that she could hurdle anywhere. A younger girl, Yelena, was vying to be the first female pole-vaulter of regional impact. A few boys shuffled around with less to say—“they’re pure cross-country,” Avo supplied on their behalf, and then told everyone to shower and be ready to eat in twenty minutes. I took this as a chance to bid them all best wishes, but Avo cut me off and hastened his crew to come back in ten minutes, in deference to me, their guest.
            When I reminded Avo I needed to hit the road to find a hotel, he shook his head in disapproval and disbelief: “the night is beautiful and clear—I know I, for one, will sleep at the campfire and that means one bed free. God has given me a full house, but also athletes who’ll likely follow in my lead and sleep below the stars. And you may want to, as well.”
            I met him halfway by setting up my tent in a grassy area about a triple-jump away from the campfire ring. Avo saw my guitar in the open trunk and exalted in the alignment of the night. His wife had prepared more byorek and liberal plates of plov; Avo tended to new skewers of lamb and eggplant and sausage chunks. Their little children ran with energy the enlisted athletes no longer had, but no one was sleepy yet. I ate politely what I could and Avo was diplomatic about the liquor he and I would quaff against the juice and herbal tea the kids would take. As a matter of course, Avo continued to coach his athletes as they rested and ate, reminding them of kinesthetic and mental moves to make his hurdlers fly like peregrines and his sprinters dart like greyhounds and his jumpers bound like antelopes, and his distant runners—“well, what would you advise?” he turned to me.
            Of course I had no real time to think one way or another, but, as a cross-country man, since after ninth grade at least, I ventured to say, “you run like no animal has really run before. You cannot stop at a goal in sight, like anything with instinct might. You’ve got to run beyond horizons, beyond presumption that a prize is really there. You’ll run, maybe, like the jockey-driven horse, pulling neck-even on any given curve because that feels intuitively right. You’ll run, more likely, through scenarios unseen, because nothing—nothing—of a cross-country race is ever eminently decreed.”
            Avo, graciously, broke in as I breathed for more to ramble, and declared the day a celebration. He sang a song in Armenian and led the campers through some songs in Russian and even one in Lithuanian, which intrigued me most of all. After all due translations, he pointed me to the guitar, and so, as if naturally, I played Pete Seeger’s version of “If I Had a Hammer”, which roused the campfire more than I thought due, and “Annie’s Song” and “Wish You Were Here”—a blur of the limited range I knew and the ‘fill up my senses’ that fostered little or no transliteration. Avo was good to segue everything right, and Natalia, the indisputable captain of her crew, spoke in strophes I could barely decipher—my head full of Lithuanian and Russian and Armenian spirits. Other songs ensued, and I chimed in where I could; I was asked for a ‘kumbayah’ when all eyelids drooped, and I complied with “Danny Boy” (not to center anything on self—in fact, I had morphed the song to the name of my first-born son back at home, not to center all on him). The embers in the fire burned conscientiously, it seemed, beyond the last look from my tent flap and the retirement of all athletes, young and old.

            There’s little to say about how I left the place, dawn renewing the crepuscular activity from Avo’s kitchen and subtle, zealous runs to wake the next day’s training. Against all invoicing, I placed the equivalent of seventy dollars on Avo’s counter, leaving next-to-nothing for a statue museum that made little sense today. Avo’s wife came in as I was writing a note: ‘but come you back, when summer’s in the meadow…’—scratched out, for the ambiguity. I was glad instead to tell her directly that the food way I came here and stayed, nourishing the soul of an exquisite evening. I said I was more honored to have met Avo than, if fate allowed it, Sergey Bubka himself had vaulted into my life. I wished Natalia and Yelena and all cross-country runners well. Avo’s wife, fumbling about like I was, packed me a bundle of byorek and bid me go, in God’s grace. And so I did.
            Whatever I saw of sculpted Soviet personae, or (as was more memorable) some chainsaw art in Druskininkai, my mind constantly trailed back to the nurture of Armenians and the anomaly of track and field in the woods. The route through eastern Poland was labyrinthine due to heavy flooding that year—I would be among the last cars allowed to cross the Sandomierz bridge, for instance—and so the detours had it that I drove upon a railway trestle to reach Treblinka. Besides conferring with a few villagers to get directions, I encountered no one at the death camp, no other car in the parking area, a strange stretch of day bereft of humanity.
            Treblinka has a static march of tombstones which do not remotely enumerate its victims; any ghetto that surrendered five thousand or more souls has a single stone, waist-high or smaller, yet their collection stretches unimaginably. My attempt to read every name was earnest, if naïve, and the fact that the sun had sunk below the distant treeline meant I had to decide what next to do. As with other prison camps I’d visited, I wanted to see the musicians’ barracks. Of all the images that had engrained themselves in my readings of Wiesel (along with adumbrations of Shostakovich) most indelible was the
“pitch dark. I could hear only the violin, and it was as though Juliek’s soul were the bow. He was playing his life. The whole of his life was gliding on the strings—his lost hopes, his charred past, his extinguished future. He played as he would never play again.”
Such barracks were cynical in their pragmatism: ploys to survive compelled a contradictory reason to enact an aesthetic process. ‘Play for your life, even as life is snuffed in your strains’… ‘Glide on the strings of a bluntly rigged fate against any wire-walker’… Orchestrate a counterintuitive, cultural doom… in the name of your art. Wouldn’t any true artist bash the instrument against the ground, or (why not) against the Kapo’s cranium? Non-musicians at Treblinka’s peak survived two hours, musicians and Sonderkommandos perhaps three days. Commandant Kurt Franz, blissful in his sadism, forced prisoners to memorize his lyrics, to become “one with Treblinka in no time at all.” Probably this anthem played more emphatically than any indigenous chorale from the composers of Poland or Belarus. November 10, 1942, was unconscionably busy, with more than thirty transports disembarking more than 66,000 souls that could scarcely fit any space of the expanding Aufenglager; masses became ‘one with Treblinka’ no matter how it was defined, ashes to ashes, dust to dust. What place for musicians? I had Leonard Cohen’s “Dance me to your beauty with a burning violin” in my inner ear as I sheepishly walked the remnants of ‘The Tube’, the path Franz and others declared a Himmelfahrstrasse to reinforce that some unhuman heaven immanently awaits. “We want to serve,” as if this were a labor camp, “to go on serving until a little luck ends it all. Hurrah!”
             God. There’s no one here now, and those 66,000 (times thirteen, at least)  have to quash the conception of ephemerality. In certain ways I could not take a step or justify why I was here, why I had come. All previous imperatives and invitations flaked off as the Himmelfahrstrasse came to an empty end—no gas chamber anymore—and the late summer air converted the balsam breeze to an insidious chill. Some kilometers away (I had seen by the large map near the parking area) the musicians’ barracks remained in some raw foundation. Silently, I tread the dirt road that utility vehicles over the years had worn, like any bucolic scene. With no sense of pace—my own, the setting of an unseen sun in overcast skies—I wound up in a woodland clear with rudimentary placards over unweeded rubble that assuredly heard some laments and the semblance of Juliek’s violin.
            Oh let me see your beauty when the witnesses are gone
            Let me feel you moving like they do in Babylon
            Show me slowly what I only know the limits of
            Dance me to the end of love
            Dance me to the end of love
            Rapidly, dusk descended as if to spite any endeavor for enlightenment. Perhaps an on-site guide or an efficacious itinerary would have helped; I was utterly alone in the depths of this camp, imagining from this fetal stage of a new millennium (the twentieth century having run its course) a time beyond comprehension. Silence and a lack of celestial light imbued the isolation: I hadn’t prepared and began to fret that without any kind of compass, I wouldn’t see my way back. Scobey, Montana, then, was not for nothing—the flickering candle that was Moshe the Beadle also came to mind. The grooves of the path I found through my sweeping feet and then, self-consciously, I began to stride into a blind run—an unseemly spectacle for no one in particular.
            Cross-country skills are empirically subtle. The physiology of swinging arms, breathing clinically, pacing on four dimensions can all be fully read; metaphysical mindplay, on the other hand, is inscrutable. Runners in the wild can conjecture a tackler’s dive at any split second, a phantasmagoric stand of hurdles that beguile the regularity of a steeplechase; runners in the modern wild pose problems to the paradigm of ‘fight or flight’ and render a Manichean universe inane. What was Hercules in all his strength? What would Hermes run today? What reality bends or benefits from any atavistic source? Questions therein, as well as a thousand strains unnamed, become the consummate pace of runners in the wild. And conditions of luxury may have it that the questions are curtailed whenever one sees fit; and conditions otherwise may have it that questions come and go without control.
            I had now no bearing of the path. Slowing and extending my arms like tendrils, I realized the grooves of the ground were more likely to twist an ankle than guide a straight line. And nearer to the parking area, this very path would veer into deeper woods. But I wasn’t near the parking area anyway; I decided to stop, gather what was left of my bearings and walk feelingly, nuzzling my feet against the groove. Some animal noises in the distance invited a sense of fear, but those were easy to laugh away. What was palpable now, however, was the sense of fear that I could never fully feel from those who travelled this very ground in ’42 and ’43. Juliek would have been contained to the unforested Auschwitz, but his path—night or day—would have some resonance to this one. I had to stop again to clutch the thought of that, and ridiculously I began to feel afraid for myself as if I were someone else (yet consciously still myself). ‘Run, you fool! What consequences worse than what has loomed from first intuition? Run into these fortuitous woods—embrace the prospect of a wolf, join in the call of the mournful owl. Run beyond bullets, especially in this dark. Make their self-absorbed Waldeinsamkeit an outcry of their distance to the rest of us—humanity that matters, even as fascists forever will, with teleological zeal, convolute: humanity, what matters, forests, freedom, fear of the fucking unknown.
            Sometimes there is no rational definition to anything that’s going on. Shostakovich banks on this no-man’s land in his Symphony #7. Rationally, he benefits from Ravel’s ‘Bolero’ and the harrowing sense that Leningraders—whom he left with heavy heart in October ’41—were necessarily devoid of anywhere to run. Instead, they fortified themselves against a siege for the ages, one that had to adumbrate the fading hopes of those in Sarajevo five decades later. Why should Sarajevo, Shostakovich occupy my thoughts when I’m groping in the dark? Where and when should I begin to crawl—four legs better here than two—to the sanctuary of a parking lot. Instead, I resurrected an instinct to run, gathering a valuable kilometer in whatever outrageous fumbling of feet, and as that stride consolidated false confidence, I fell into a wayward groove and met the cool earth with my nose and mouth, dispersing scrapes and pain from there to the culprit of my feckless left foot. Sprawled upon the starless path, wherever it now remained, I calculated its strange comforts to the prevailing thoughts of Juliek, Shostakovich on the run, Cohen again to “raise a tent of shelter now, though every thread is torn.” Why not wish this “too too solid flesh would melt, Thaw and resolve itself into a dew!” No wolf would devour me—we’re beyond fairy tales and the trappings of the twentieth century! No SS dog by the name of Barry, trained to become the ‘Mensch, fass den Hund!’ and bite me by the balls. No reason to lift myself from this mark of land, with buffalo grass to wrap me in, to wait for the promise of a late summer’s dawn and the dew it brings. Likely then the clouds will have disbanded, their rain withheld for another day; there wasn’t thunder in them, anyway.
            Ten years earlier, when I skied down a slope that held too many challenges—and I avoided some, but took some on—I realized then that Kierkegaardian leaps were exponentially beyond our sense to commandeer. I skied Spirit Mountain, near Duluth, and took a jump that had no bottom I could see. I tumbled in the air to position myself to whatever telemark mercy may grant, and when that failed, I met the mindless slope with a crash that had me seeing stars, briefly, before the specter of passing out—consigned with the knowledge that no one else had taken the dusky chairlift to see my final run. I was blacking out alone, on idiotic Spirit Mountain in the budding eve of my auspicious view of being adult, of being realized and (whatever theology cast it) realizable. I fought this blackening out with all my marrow, and miraculously, maybe, it worked. Maybe the mountain was named on purpose, but I left that thought and adventure skiing for others to experience.
            I did not want to muse like that at Treblinka. There’s nothing notional in its name. No one needs Nietzsche or his doting sister to avow that God is dead in this all-too-stark stage, another Polish hamlet absorbed into the machinery of Operation Reinhard, an approximation of anything ruthless anyone can do. At a certain point, one does not read placards for the sense of what happened here by and to whom (victims rarely have a final word); those signs and names must reassemble in our journeys home, finding new names and signs along the way, preempting new such operations from gaining traction. People of Treblinka, if we meet them in their homes, wake to dawns that do not have to hold that nightmare hostage. Their burden should be on us, tossing and turning in remote hotels. ‘Where is God in this’ was Moshe’s waterstone that Eliezer never let vanish; we are worse to dismiss this question out of hand. We should somehow muse at Treblinka—museum that it somewhat is. And when museums close (for dusk, for instance), memorials in mind and spirit should open infinitely, even as dreams beyond our control.

            A drizzle began as I finally found the parking area. The headlights against the pines and oaks seemed to lure the car forward, then away, as opposing ends of a magnet. I knew my windshield wipers were old and loose, so I hesitated putting them on. I’d be going slowly, anyway: I wasn’t sure which road to take south toward Lublin or Sobibor, the latter of which would probably not have any accommodation. For some minutes I drove with the overhead light on, casting poor illumination on my map. But after sidling to the ditch and stopping to smear the grime of the wipers, I couldn’t continue with the bounce-back glare of the inside light. I could sleep here, at the side of this lonely road, or retrace the route to the parking area. Fatigue, though, wasn’t what I was feeling, and as long as I could focus, there was no reason to stop. The gentle rain even attended my fondest memories as a runner, when others might have cursed the clouds instead of deeming them baptismal.
            The rain subsided but my windshield suffered worse the lack of water to spread. Through blurred signs and a hint of a village, I finally came upon human beings—a couple of middle-aged men sitting beside the road, under a bulb-lit umbrella that would befit a beer garden. Their shirts were unbuttoned for the night’s warmth and humidity, and as I came to a stop they sat semi-interested in the fact of my presence. In Russian I asked the way to Lublin, which elicited a laugh from both. “You’ve left that in your dust,” one roughly said, his breath wafting of liquor. The other bid me to come over to them, betraying a more specific answer. I turned off the engine and stepped out, and they found a chair at their little table. It was only then that I recognized their unkempt uniforms as patrolmen—their shirts had the markings of probably the lowest rank possible, and beside their vodka tumblers were hats that seemed to have resigned their days’ work. They didn’t ask for my documents, which I had stored deep beneath the passenger seat, so I didn’t fetch them. Instead, I told them my name and my purpose for being on such a remote road at this time of night.
            “You won’t find a hotel near here, and there’s no use waking up anyone in Lublin,” proclaimed the apparent leader of this pair. “But a half-hour east is my brother’s house—you can knock on his door day or night, and it wouldn’t even matter if I told him in advance.”
            “But,” I asked, scratching my head, “wouldn’t a half-hour east put me in Belarus?”
            “You’re already here, comrade—did you think we’re Polish?” They laughed heartily at my strange look and the circumstances in general. “Look, join us for a drink, you won’t be late for anything.”
            “I’m driving, of course, and you,” I smelled the trap, “are the very ones who arrest those who drink.”
            “Those who drink dangerously,” the second man said, “yes, we arrest. To guests of our nation, we raise a toast.”
            I relented, warily, and pursued the offer of the brother’s house: “How would I get back through to Poland, without a Belarussian visa?” The question made little sense if these two were still here, but they weren’t sure when they’d be relieved, at midnight or daybreak or noon. They’d herald my return to the next crew, they said, and poured another drink to vouch for their word. “It’s a generous offer,” I told them, “but I wanted to start the day in Lublin—”
            “Why? What’s there?”
            “Majdanek,” and I explained my journey to this point. I told them I could start alternatively at Sobibor and work my way west, but they couldn’t agree which road would get me there. They hadn’t much experience with these places, they said, even if they held them in memory each eighth of May, when the Red Army forced the fascists to surrender. Something more to drink about, but their bottle had run dry.
            So they brewed some tea. “Look here, have you seen one of these?” the leader pulled out a P-shaped box that clattered with pieces inside. “From Krakow, its owner said, another traveller from afar. He played us one game to get into our country and lost—”
            “the game, not his way in,” the other guard gibed. “You lost, too, my friend!”
            “Nothing—I surrendered my squares in beating him; you sat back safely to figure out the game. And now I’m eager for revenge!” He opened the hinges to show chess pieces in lacquered white, black, and maroon.
            He assumed I played at all, scooping the white pieces into my hands, while he and his deputy took the rest. My mind recalled George Orwell’s Down and Out, and Boris who’d play chess to forget being hungry, and his saying that “the rules of chess are the same as the rules of love and war, and that if you can win at one you can win at the others.” I didn’t utter that to my hosts but instead posed this hypothetical: given a prison cell and one cellmate (or, considering this odd board, maybe two fellow convicts), which single game would pass the time best? Chess? Cards? Scrabble?
            “Scrabble—what’s that?”
            I described it to their scoffs, but defended its eternal value as a language game that could lend to the expression of ideas.
            “Maybe,” said the leader, “but in our country, you don’t need a tool like that to talk.”
            “What ideas, anyway?” the deputy wanted to know. “The words as you described it are random, unconnected—”
            “—well, connected in a literal way—”
            “—but not a way that makes sense of anything. What’s the point of that?”
            “You can ask that of any of them.”
            “But why in prison?”
            “I guess I’m interested in which of them imprisons less.”
            “Chess,” the deputy concluded after not much thought. “Strategies are endless.”
            “But if you wanted to get out of jail,” the other demurred, “and who wouldn’t? you’d rather have a deck of cards. Tricks. Bluffs. Power of invention.”
            “Like a house of cards—voilà!” the deputy exulted, having stacked a knight upon a rook upon a king.
            “There’s metaphor in everything,” I offered.
            “And that’s why you’d torture your cellmate with letter tiles?”
            “I think I’d actually vote for chess. What little I know, the thought exceeds expression.”
            “So enough of this talk, let’s play.”
            The trigram board was set, and I apprehensively moved my king’s knight forward. The deputy, in black, played a small pawn, and the honcho countered in kind. We discussed the confusions of the lines—when a quadrant led to one player’s side or the other. The honcho, true to his forecast, tried to bluff at times; he favored fast moves and was bothered when we slowed things down. I castled as soon as possible, which shifted the deputy’s direction: his boss was now in trouble, and I had a chance to slam him from my side. We all lost bishops and knights in quick succession, then, blindsided, I lost my queen. I retained a rook advantage, however, and marched my outer pawn to claim a new piece, which foolishly I called a queen. A knight would have beaten maroon in a single move; instead I had to run my queen around and watch black close in on my king. But then maroon did the inexplicable by putting himself in check against black, forcing a legal debate:
            “You can’t do that!”
            “Why not? It’s white’s move next, not yours.” They both looked at me, as if their version of logic would be obvious in what I’d do.
            I had to give the boss some credit: it allowed a free move for my rook to slide over and put both kings in check at the same time. Both could easily escape in succession, but in the meantime maroon would have gained momentum. Not to win, probably, but to derail the deputy for a while. I talked through that prospect, but black still contended that it didn’t matter—the illegal move by maroon couldn’t presume what white would do.
            “What’s illegal?” the boss blustered, “I didn’t put myself in check against him! You’re forgetting the difference in this game!”
            “But this will all be stupid—what white should do is move against your expectation just to cut you out of the fray—”
            “—oh, and white would love to see you absorb my pieces into your army? Remember, that’s in the rules of this game.”
            The deputy, more than the boss, dared me play it out, and despite the aesthetics of the rook option, I decided to put my king in check against the now doomed maroon, for at least I’d be able to take his queen (which would have become black’s queen and my most immanent threat) as a result.
            “For heaven’s sake!” the deputy threw up his arms. “Here, am I also supposed to attempt suicide?”
            “But it’s interesting, no?”
            “No, a thousand times no! I wouldn’t last a day in prison—especially when the vodka runs out!”           
            We decided to call the game a draw. A new rain started and the invite to deeper Belarus was underscored, and maybe I should have taken that opportunity as another chess gambit. Instead, after conferring around my tattered map, I thanked them and turned the car west, eventually south, outside of sleepy Wlodawa to finally get some rest.

            A bright dawn warmed me awake, and unfolding from the car I decided to walk the town toward the swollen Bug River, the same that ambled past Treblinka some 200 kilometers northwest. What ambivalence, it seemed, this flow upon the flat, what might have been a nonstop stream of tears or the flush of ashes and offal. At any rate, the brainless earth cannot care, and
                        Neither our present blood-feud with the brave dwarfs
                        Nor any future world-quarrel of westering
                        And eastering man, the bloody migrations, greed of power, clash of
                                    faiths—
                        Is a speck of dust on the great scale-pan.
Robinson Jeffers refers to the Pacific Ocean in these lines, designating it the “Eye of the earth; and what it watches is not our wars.” Maybe not so brainless are our waterways.
            Some men fished from the Polish shore despite the high water. No one could be seen on the other. The river had established a frontline between German and Soviet soldiers, a moat long outlasting the war. I started to run its winding bank as I had done a hundred times in college, along the Red River of the North; I knew Sobibor was a ten-minute drive south, several hours by foot. Roads here didn’t comply with the wiles of the river, and tall weeds challenged my vision and stride. Footpaths were sometimes submerged in the flood. I circled back to the car.
            Though I walked the grounds of Sobibor at length, I didn’t again see the banks of the Bug. The sun continued to heat up the earth, but by mid-morning dark clouds were gathering and deciding upon drizzle or downpour. I went in to the interpretive center and spoke with the guide, and a quick hour later when he wanted to point out more features outside, the rain hit and we ran back inside. He brewed some coffee and insisted on sharing his lunch; I had forgotten how hungry I was.
            “This rain keeps the ash heap green,” he said, “—that is one thing I wanted to show you.”
            “I had rounded it a couple times and noticed. What do the groundskeepers think?”
            “In terms of what?”
            I had weeds in mind, but didn’t want to say. I’m not sure my Russian was good enough, anyway. The ash heap here, and as I’d see in Majdanek, was beyond contemplation, as much as I thought I’d be used to that concept.
            But getting used to anything on this journey was inconsonant to my conscious or unconscious purpose. To be sure, I kept up my resolve to reflect and pray and ask questions and walk silently through dozens of places; to be equally sure, I longed to lose myself in the tangles of unregimented space, whether by the Bug River, now bygone, or on the forlorn road to Lublin, where holocaust fires more brazenly blew into a city of tens of thousands—witnesses, by smell, of what had gone on a dozen fold in various villages and voivodeships in eastern Poland. Majdanek, like Dachau and Mauthausen, were suburban camps as such: hell could be anywhere, of course, yet to play devil in the backyards of the masses… There may have been a showcase argument to the establishment of some labor camps: Arbat Macht Frei wanted its pronouncement to rationalize the options of the imprisoned. ‘Look, you have purpose to this place, and our truth will set you free.’ When Reinhard took over, the pretext was impossible to sustain, and the machinery of death was a different kind of showcase. ‘Here is your tube, your heaven’s road, and yes, that captured Soviet truck is running its thick exhaust into a hole in that building, that place you’re trudging to too warily. What dignity you have is on display—no saving for another day.’
            Ovens at Majdanek retain chunks of bones among their ashes. A mound the size of Sobibor’s is roofed against eroding rains, the powder and grains of hundreds of thousands, countless as sand, confusing the tone of Psalm 139. I had cried on this journey—often in preponderance of reflections as I drove from one place to another. At Majdanek, I sobbed. “I am fearfully and wonderfully made,” says the psalmist, “I was made in secret, and curiously wrought in the lowest parts of the earth.” Did these ashes say that? “Surely thou wilt slay the wicked, O God”—wouldn’t that be the thrust of their prayers? Surely some curiously wrought were meant to survive?
            The rain now was a steady blur as I walked to my car. Running wouldn’t have undrenched me, and I was of a different mind here than at Treblinka, where to some degree the running made sense. The curator had advised an early departure if I wanted to cross the Wisla—closed already at the Annopol bridge. Still, I wanted not to run and rather to repose: “a turn or two I’ll walk / To still my beating mind.”

            The patrolman on the southeast side of Sandomierz was in no mood to hear my appeal—the bridge had been declared unsafe for traffic. My car was light, I argued, and I’d drive like a snail. That wouldn’t help, he reasoned, as the rising water was fast as an eel, a snail-eating eel. Ok, so maybe I’d try the pace of an eel—no cannibalism would likely occur? He didn’t laugh at that, but told me to wait (as if I could do otherwise) while he contacted the other side. They argued, it seemed, and sensing the crux I dug out twenty zlaty for the man on this side and nodded another twenty to the side that would receive me, and as tolls go, the bargain was more than fair. I drove the bridge carefully as a human would, smiling at animal instincts.
             A hotel at the top of the bluff took me in and provided a sonmolent meal of bigos, surówka, pierogi and pope-endorsed Zywiec. After reading Eva Hoffman’s probe on what makes a Polish Jew or a Jew in Poland, I wrote a few letters and burrowed into bed. I knew there’d be some things I’d want to see in the morning, but also the prospect of disappointment. This beautiful and rather preserved town harbored a ‘blood libel’ history, a defunct synagogue-turned-state archive, a shtetl unease between peasant Christians and marketplace Jews (and vice versa). Beyond religious views, the name of the place derived from the Slavic semantics ‘to judge peace’. Gadzooks!—from Ottoman to Swedish Deluge, to the Vilno-decreed Pale to the Warsaw-based Congress, to Kaisers to Nazis—has there been any peace here plausibly to judge? I must have dreamt entire histories, waking only to the startled yelp from the cleaning maid, who bashfully apologized for entering unannounced. It was my error, though, to sleep in past 11, when checkout was past-due. I weighed the sudden option of taking this room a second night, borrowing one of the three I had planned for Cracow, but the man at the desk denied me that anyway—the flood was displacing some low-lying residents who needed this refuge on the rock. A bit of an illusion, that, recalling what the waiter had told me last night in structural fragility of this part of town due to myriad hidden tunnels over the centuries.
            The day entailed some research, mostly of dead ends. The town hall and central rynek conducted a preoccupied sense of business, the flood most of all on everyone’s mind. The synagogue couldn’t be more closed, and an old lady outside its doors hadn’t any story to tell about its (or her) existence. Instead, she wanted to sell her small selection of postcards, and I gleaned through them for fodder. “Here’s one,” I noticed, “that quotes Isaiah 42:3.” She nodded naively. “Who was behind the photograph and link to that verse?”
            “Who took the picture?” she reframed my question. “That I don’t know. But it’s our river, the Wisla—isn’t it beautiful!”
            “It is in this postcard. I wish I could have seen the reedy banks unflooded.”
            “Not now, it’s not so nice. But come back to Sandomierz—will be nice.”
            I bought two of those and three of the sealed synagogue, my only glimpse of its interior. St James church provided more an open gate, especially to its unassuming grove, but prayers of the active monks precluded any serendipity from the likes of me. The day was at its sunny zenith, but still I sought some shadows along the chapelled aisles. Four dozen of these descendent monks were slaughtered by Mongols in the thirteenth century, a fact the placards and brochures made painfully known. There was a vulnerability and resilience evident everywhere in this town, ad hoc adjustments to the nightmare of history from which every Stephen Daedalus is trying to awake. Searching a little bit, I couldn’t apprehend the ‘blood libel’ connection to this church, though it was in the air.
            The town’s cathedral, where I walked to next, had this stain more tangibly in the seventeenth century paintings of Karol de Prevot. A baby in a nail-studded barrel, rolled and pierced for blood, a dog tearing another child apart, the leering supervision of dark-vested Jews in distinctive hats, the chronology of speculation, that Christ-killers still required blood for their matzah, their Eucharist of sorts—these could be discerned at first glance. The idea of Jewish tormentors in this region was beyond baffling: constant victims of pogroms, a semblance of revenge or organized revolt might make sense; yet against the backdrop of so many other traipsers of power, ‘blood libel’ activity seemed as tenuous as Salem witchcraft, even as the historical hunts were all too real. The Kielce Pogrom, more than a year after Hitler’s defeat, drew surreal momentum on this fear-monger myth: imagine the notion that a hundred Jews would have even survived from this south-central town in 1945, only to have half of them killed, another half injured by municipal mobs in ’46. Whatever populations of Jews in towns thereafter, including those in Sandomierz, summoned the energy to get the hell out, float to America or Palestine on a prayer.
            The cathedral itself whispered other moods, from the indigo ceiling, majestically vaulted to the boysenberry colors of the nave. The visage of Pope John Paul II was familiar and strange—of course he wasn’t Lenin or Stalin or Gomulka or Gierek, and no one conceivably would throw his portrait onto a bonfire. By camera angle, he wasn’t looking at any painting by Prevot. Instead, from what I could decipher, there was in happy papal language a call to some jubilee, and Sandomierz youth would be part and parcel of the viability of the catholic (small ‘c’ for universality, big for denominational) church. The flyer had it in all caps.
            Then on my way out, I was struck by a colorful drawing apparently made from one of the parishioners who’d be too young for the pope’s jubilee. There were dozens of such drawings in the narthex, a conglomeration of themes that might have represented the downtime between Easter and Christmas, as late summer was that. Stick figures of Jesus featured mainly, and the art was first-grade. I thought I saw the parable of the talents in one of them—some hapless debtors before a Jesus-looking master—but I decided not to read too much into that. But the one that stopped me cold was a simple, have-a-nice-day smile of Jesus on a thickly drawn cross, all details of nails and appendages in proper place, all consciousness of tears that would run down the crucified face. But the semi-circle smile jostled well after I left the place. The seven words of Christ upon the cross never in my imagination held a shitty grin. And ‘shitty’ here looked halcyon. And ‘halcyon’ was none too easy to leave at that.
            I made my way down to Krakowska road below the castle, hoping to walk a Pepper Mountain trail designated as Queen Jadwiga’s Gorge. At the river end, however, a dozen men were sandbagging the entrance, anticipating that the river would crest over Krakowska and erode this national parkway. I lent my own rather famished effort for an hour or so, mostly tying the fiberglass sacks and carrying them to one of the wall-builders, who had ‘to use a spell to make them balance’. My hands were accruing scrapes and little cuts, but the swing of the work was welcome; talk was scant until a man in charge zipped in on a motorcycle, with a satchel full of paczki. There was no water, let alone coffee, though some made the trek to the brown Wisla to at least wash their hands. The boss commended the work and deemed it enough for the time being. Upriver, he said, the situation was dire, and so the men loaded shovels and bags into the truck that had just before the boss came dumped a new load of sand. Then everyone but I clambered aboard as I bid the boss on his motorcycle good luck. He offered me another paczek which I gratefully refused, the rest of his crew would need all available energy to work through the evening.
            The gorge on the other side of our makeshift wall was quiet and unpeopled. I felt like Wordsworth’s Michael, aged and ‘watchful more than ordinary men.’ But who was I to lend such perspective to Queen Jadwiga’s Gorge, or libelous history, or floods I was in no place to shore? I’m not even, in this respect, one of the ordinary men that tread paths a thousand times far needfully than my desire to travel destination point to destination point, a few unsuspected sallies along the way. Still, returning to the pastoral,
            “although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.”
            There was nothing else in Sandomierz I longed to see, though a second night and day would please inevitably. More cause for coming back, as I settled into a restaurant with a book I had bought at a bookstore here—hoping to find something like it at the literary museum, which was fulsome with curios, not books to read. I had been to Krakow three times before, and now I was eager to build on this fourth, reading this volume of a native son, Adam Zagajewski, and his ‘Ode to Softness’ that made me close my eyes:
                        Mornings are blind as newborn cats.
                        Fingernails grow so trustfully, for a while
                        they don’t know what they’re going to touch. Dreams
                        are soft, and tenderness looms over us
                        like fog, like the cathedral bell of Cracow
                        before it cooled.
I’d be there in the turn of a clock face, a matins that would greet the trumpeter’s call. The waiter wanted to press on me Zubrovka, but driving, I said, wouldn’t allow. He happily sold me a bottle, which I tucked into the craw of my backpack, along with my unwritten postcards on Isaiah 42:3.

            I drove away from Sandomierz in the fading pink sky the Czechs call ‘cervanki’: red skies at night, sailors delight. Floods and famine duly behind, I prayed for those that lie ahead, especially humbled in the sense that rarely would these pestilences plague me. Tenderness does loom over us—we have a plethora of angels watching over each day. Some days? When they do not? That’s a question for their Higher Up, the ghost in the world’s machine.
            I drove into the dark as if my travelled tires were tenth-grade legs. We race against the shadows of ourselves by day, the shadow of the world by night, and now that night descended upon the head-lit car, I turned the radio on to serenade my hour or two to Krakow. ‘Baba O’reily’ would have been my pick, but instead it was Bach’s ‘Air aus Stuite No. 3 in D-Dur’—why particularly here? Having claimed it for my funereal desire, I wasn’t prone to die just yet. Why would Polish radio float such Thuringian beauty? Why should I celebrate its strains in the cognizance of all that went before? And who else, in this forlorn voivodeship was listening in? Who else was crying inconceivably at the last light of a sun that still shone brightly in the west, not quite in Germany, as they were in their dusk, but further still. What sun, a billion miles removed, would wonder upon anything it lit, the road of present day, let alone the roads of days and years gone by?
            Bach faded away, and so did the announcer’s droll segue to whatever else the broadcast had in mind. I looked at my flittering dashboard and finally noticed, notwithstanding idiot lights and such, that I was running out of gas. Of course I was—I had taken mental note before I’d entered Sandomierz and intended all the time to rectify that need. Now, beyond its modest infrastructure, I drove on fumes of faith, knowing all too well they would not get me to Krakow, deceptively close by modern-fueled measures; I drove until the engine could not drive. And knowing as I had footed the terrain of Treblinka that I could run for nominal help, I decided to nest up in the car and sleep as sleep would have, into the thick of this warm night, beyond the twilight or the dusk it presupposed.

2 comments:

  1. A Dissertation!

    On running, on awakening to the holocaust, on a rich opportunity to travel through eastern Europe without much more than a tankful of gas.

    Your style is breathless, without pause, which is intriguing, Kafkaesque or may Kerouakian, but also a little questionable. If there are to be separable episodes, it is a style that conjures contrivance - how do you get so many people to share their lunch with you? - and yet I would not feel any of this was contrived if there were more scene separation. Though I would still wonder, as your brother, what parts of this were true.

    As to your more particular invitation to tell you how you might revise, I think I would rather read it again a time or two, and after some time, before nitpicking anything. There is one word, though, that you use rather frequently in your stories and it always gives me pause: “immanent.” A more common word is “imminent,” meaning impending, about to happen, and I always think this is what you intended. Even if immanent, “1. present within; inherent. 2 (of God) pervading the universe.” is what you really mean, it is a more oblique word that always has me running to the dictionary.

    As you approach an end to Stara Europa, I think the most compelling part of these stories is the way you strive to relate to people and talk to people even as you visit places your readers have never been and allude to libraries of literature we haven’t read. And maybe this theme of trying to talk to and relate with strangers is what makes you need a more objective editor than a brother’s cheering on. I hope you are considering this next step – not just posting the stories elsewhere or even sending them off for submission, but submitting your efforts to a more constructive criticism.

    Anyway, I do cheer you on, as you have done so often in return. Onward, then, to the final chapters, and then (or sooner for separate stories), publication!

    On that note, I am open to suggestions on what to do with my Waste Land project, which is now almost complete. And, by the way, quite relatable to your story, Dan, with Hamlet allusions, chess playing, faith development and European, post-war angst. See it at http://annotatedwasteland.blogspot.com/ This has grown to about four times the size of the installments I presented a year ago, and my back-of-the mind intent is to put this out there beyond blogger, at no charge on the internet but maybe with some advertising revenue and of course an option to purchase it in book form. I really do think I have something marketable here, but next steps are always the questions.

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  2. Great feedback--thank you! 'Imminence' and 'immanence' has been my Achilles' heel for some time now, and a foray in the classroom around Walker Percy's dichotomy of 'imminence and transcendence' got me all confused, in front of 12th graders no less! And the matter of contrivance is something I'll need to temper, especially if these are meant to be realistic fiction.

    And fiction they are, even if (like 'A Bruised Reed') they burgeon from personal experiences. I've been trying NOT to make these into a travelogue, but this story smacks most of that genre. I'd rather make fictional stories out of possible encounters, settings and characterizations. I did have 20 minutes with drunk Belarussian border guards, but we didn't play chess; I spoke with the curator at Sobibor for a non-descript hour; I didn't actually help with flood relief in Sandomierz, but did converse with the post-card old lady. The Lithuanian part is 99% true. I didn't actually run out of gas. The plot of vacations may or may not lend to themes (our recent one case-in-point), but the subjectivity and poetic license does accompany experience. In this vein, I'll list the stories in order of most autobiography/personal observance to least, with an asterisk to designate those ventures in a 1st-person narrative voice:

    1. Vanuska [Czech Rep]
    2. Moment in the Shade* [Russia]
    3. Glassworks (Grown Old) [Czech Rep]
    4. Twilight and Dusk* [Lithuania/Poland]
    5. Bud' jako Bach [East Germany]
    6. We the Pharisees [Bosnia & Herzegovina]
    7. Rain, Rain, Go Away [Hungary]
    8. Snookered [Romania]
    9. Side-swiped [Czech Republic]
    10. The Golden Horn [Turkey]
    11. Pyrrhic Victory* [Albania]
    12. Babi Leto, Babi Yar [Ukraine]
    13. Preying on Malchus* [Moldova/Spain]
    14. Swan Song [Slovakia--yet undrafted]
    15. Tipping Point [Bulgaria--yet undrafted]

    Maybe, in the end, this should be the sequence?...

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