the little-brained mosquito dances
round the room on paper wings
theres wisdom in the way life sings
to give us fools a fighting chance
theres grace in every circumstance
of life if one keeps listening
for Gods design upon the wings
and nature’s music in the dance
theres also pain sometimes disease
that pierces through the leather veil
and then eventually theres death
but first for all the tragedies
there is the whisper of a breath
that grace and wisdom will prevail
the little-brained mosquito dances
round the room on paper wings
with Gods design behind the dance
and natures way to make life sing
I cannot resist this poem, just published in this month’s Poetry Magazine, as a follow up to my mosquito. I had not read this until after I posted my poem, an admittedly more simplistic effort written before we head north into God’s Country, but it says almost the same thing. I would argue that God does write catchy tunes, but they are sometimes hard, work and play at once, to try to get.
ReplyDeleteCatchy Tunes
by Robert Thomas
It’s not just this. Every written word is a suicide note.
And a love letter, too.
There may be no one to talk to who would get it,
but if you write it down maybe someone will get it after you’ve left the room,
or in five hundred years, or maybe someone from Sirius, the Dog Star,
will get it. The composer Karlheinz Stockhausen
claimed he was born on Sirius. You remember him:
the genius who said the crashing of planes
into the World Trade Center was the greatest concert ever held,
although he later conceded the audience had not been given the option
to not attend
and that somewhat diminished its perfection.
I heard Stockhausen interviewed at Davies Symphony Hall
before the orchestra played one of his works
that sounded to me like the voices of the parents
in A Charlie Brown Christmas if they’d been arguing about real estate.
No, I was not impressed by Karlheinz.
His daughter Christel was a flautist in the orchestra,
and she joined him for the interview
and said her father would take her and her brother out on the lawn
of their summer house outside Cologne
(this was years before he was on the cover of Sgt. Pepper)
and teach them to read each constellation
as notes on a stave and to sing
the words of their favorite nursery rhymes to the stars’
melody: “The dog ran away in the snow” and
“Go get the sleigh in the cellar.” It was a game
but it was hard: work and play at once.
Their father explained to them,
“God does not write catchy tunes.”
You could tell she meant it to be a charming story,
but the audience sat in silence.
Suffer the children.